In depicting the confrontation between good and evil, there will be some new characters that appear in the middle and later stages, which are actually the main culprits of the entire work. Recently, Japanese netizens have been discussing whether the appearance of such characters in a work will make people feel like the author wants to escape and instantly extinguish their desire to continue reading? After all, although this character will instantly absorb all their hatred points onto themselves, it also raises doubts. Since he, who appeared later, is the culprit, what was the plot behind the previous run? Isn’t everyone’s effort in vain? Let’s take a look with the editor at the opinions of Japanese netizens~~
Once the villain character ‘It’s all this guy’s fault!’ appears in the comic, it makes people feel like the author is trying to escape, right
This popular discussion string recently appeared in the 5ch forum in Japan, and the posting netizen roast about one of his most hated cartoon plots through illustration&# 8230&# 8230;
B: I want to avenge my father
A: I understand that you want revenge&# 8230; But I can’t be easily killed by you
C: Hehehe&# 8230; Actually, I killed B’s father, and I blamed A for it
As shown in the above picture, in some comics, the initial plot may focus on the good and evil confrontation between A and B. But in the middle and later stages of the story, a C suddenly appeared, portrayed as the culprit of everything and the source of all evil, sucking away all the hatred value in the play.
Netizens who posted the article feel that the appearance of C is completely an evasion by the author who does not want to deal with the popularity gap, plot flaws, or other issues of the character. Although doing so can make the plot simple, after all, as long as you defeat C. But it also raises doubts, what was the plot behind C’s run before his appearance? Did everyone waste their efforts before?
The response of Japanese netizens to such complaints is:&# 8230;
My Hero Academy is completely in this situation, it’s really sad
Are you talking about ‘Tokyo Avengers’
I guess revenge is not really annoying
It should set the protagonist as a non killer, but let the bad guys be killed in places unrelated to the protagonist
Agree to go upstairs
This kind of character is really annoying, designed to avoid dirtying the protagonist’s hands
The Dragon Among Men is completely filled with this kind of plot
There are quite a few situations like this in ‘Meat Man’, and the initial settings have quietly disappeared
Are you talking about the later version of Naruto
Are you talking about ‘The Child I Pushed’
Which work would you associate with this phenomenon?